Sunday, August 19, 2012

Final Reflection: Overall Experience


I picked IS183’s Teaching Institute internship program because I was looking to grow in confidence and ability to teach or run an art class in a classroom setting. I also was looking for a place to teach in which I could consider and apply the (multicultural) education lessons I have learned from Lesley University. I hoped that through gaining experience as an educator in an art school setting (compared to the museum setting I had been previously used to), I would find my personal style as an art educator, feel comfortable facilitating and leading lessons in multiple mediums, and that I would learn about engaging, intriguing, enabling, and encouraging the artists within the students I would encounter. In addition, I hoped to learn about being inclusive, involving all types of students who want to participate in the lessons I lead or assist. (I also learned so many more things that I just can’t comprehensively include here!)
I have learned so much from IS183’s Teaching Institute Internship Program.  From my Creation/Curation class as well as the Wire Sculptures in Space camp, I have learned that journaling can be a wonderful teaching tool, because it encourages students to be reflective, and it’s great for them to have their thoughts written down in case you assign a reflection essay or have a reflection sharing time in class. (Visual journals are also a great way to do this; students can use combinations of both images and words, so they can utilize the communication powers of both mediums!)
From teaching my Enchanted Garden lesson, I learned more about how important it is to be adaptive and flexible as a teacher. This is because anything can change in your classroom, particularly in the Community Arts setting; certain supplies may run out or you may forget a supply (we are all human!), students might have certain needs that contradict your methods, supplies, or project plans, or you might just think of something along the way of the lesson that would work out better than what you planned. It’s best to expect the unexpected; embrace it, even! It’s an opportunity to grow. (It’s also a good idea to think of the classroom not as something fixed, but as a living organism: moving and changing, but still “obeying the necessary laws to live and sustain…” and deserving of respect. It’s like a dynamic equilibrium. The feeling of the room should be “let it be as it will be…”) Focus on lesson objectives at all times, but be flexible, harnessing and taking advantage of exploration, “happy mistakes,” and surprises that may come your way. It’s a natural experience when it’s that way, and it allows students to learn naturally, according to each of their needs. (This is particularly helpful when working with students with learning disabilities.)
From my Monday night classes with Angel, I learned about how important it is to give students time to absorb and process information, as well as to give students time to finish projects they start. It’s also a neat idea to, while students work, weave in some of the lesson’s content (i.e. vocabulary words or lesson concepts); this allows their hands to work while their minds spin over and absorb the lesson’s goals. Allowing students to entirely work through a project does the same thing; it allows their minds to digest and reapply the information you are teaching, in the context of their project (hopefully understood well enough through that, that they can reapply it in the world as well).
From IS183’s (Lucie’s) own library, I learned about how to encourage students’ participation (and to activate those students opting out with “I don’t know”); cold call on students, repeat students’ answers back to them so they can verify on their own whether or not they answered properly, ask students to explain correct answers to other students (vs. you doing it), and feign ignorance about the lesson to check students’ following and understanding. All of these methods will encourage students to be alert, in control of their own learning, and engaged in the classroom experience you are providing.
While observing the teachers I assisted, I also realized how important it is to respect the teacher you assist as much as you would your students, even if their teaching styles are different from yours. Respectfully listen and try to abide by your teacher’s classroom setup and lesson plans. They have been working hard at running their classroom a certain way, and that should be honored (reminding you that you could learn valuable lessons from your teacher). At the same time, you are certainly allowed to make mental notes about what you would do differently… (and you should!)
I also noticed that if I assisted in classes I felt might be pressing to me, I stayed more engaged in the lesson as a teacher. I realized that now is the time to learn alongside the students I am assisting! I took advantage of the valuable information and methods my teachers used to teach subjects that were new to me, and discovered possible new avenues for my own teaching. (I also figured it must be nice for students to see one of the “grown-ups” learning and struggling, just like they might be, and like any other human would.)
I also found out that as much as self-evaluation and hard work can gain, just as much (sometimes more) can be gained from taking time to rest and take in the world: to let it inspire you and feed you again before you “get back out there” to design more lessons or help with another class. Reading about/looking at art as much as possible is a great way to do this. Also, letting yourself absorb and process just like you let your students allows you to be open to wherever a great lesson might come from. Reading about education techniques as much as possible, for the same reason as reading about art, will help you learn about others’ successes and mistakes in techniques. You might also be pleasantly surprised by how this will affect your current and future lessons (it could change how you structure your activities/content delivery, your medium choices, or even your entire lesson objectives)!
In addition to the lessons I have learned and listed (and the ones unlisted but in my mind), some differences between my own teaching style (which I am currently much closer to “identifying” now) and other IS183 teaching styles I noticed are as follows:
-       I will do my best never to expect my students’ work to be perfect or “as I visualized.” I should never try to visualize just what my students’ work will look like- rather, I could, but I really shouldn’t be so married to these visualizations that I can’t see past them to the endless possibilities my students could come up with.
-       I will always try to recognize when I am singling a student out, so that I can prevent this from happening as much as possible (unless it is in a good way)! I feel that most issues can be improved with the group’s effort and help, and it’s more positive and constructive to try and solve an issue that way first. If I do negatively (or poorly) single a student out, I will always try to apologize, one-on-one, to them. After all I am only human, too, but it is my responsibility to my students to do my best to keep my emotions in check and to apologize for the times I, inevitably, don’t.
-       I will try to prevent myself from needlessly protecting my students when it comes to mistakes. Unless it is a situation where bodily harm could be involved, I will allow my students to make mistakes in their projects so they can decide on their own whether to embrace them or reject them (although I will always encourage the first!).
My favorite realization I came to is that the classroom isn’t as scary to me now! Instead, I’m recognizing that it’s just organic, and that’s okay. It’s natural when it’s that way, and as long as I don’t fight it, this allows students to learn naturally, according to each of their needs. (What was even nicer about this realization is that it didn’t wait to come to me until the end of my internship; instead, I realized this about halfway through my 4th/6 week!)
Overall, I could not have hoped to gain more from this internship than what I did. Differing from the original plan, I only took two classes in the Teaching Institute program, but I had plenty of introspective writing reflections and art activities to do for them. In addition, I carried out two lesson plans instead of just one! I also assisted with grant research work, and curriculum development in the office, which I had not expected. Last but not least, I learned about so many different types of learning from my students (including students with disabilities), as well as about the type of environment I need to provide to all of my students so that they will learn in the best ways possible.



6th Week Reflection

Reflection: 6th Week at IS183

My last week! This week’s theme was “You Are Here: An Exploration of Place,” and it was an 11-14 year old group I assisted with. I also observed the 8-10 year old group and took more notes about how their teacher ran her classroom (one thing in particular I liked was that she didn’t use the tables and chairs when they worked and checked in; she used a circle of mats on the floor, and let them spread out on the floor to work, supplies in the center! This really seemed to keep each child focused because they weren’t bumping into one another, they had their own spaces, and they were calmer in general than some other 8-10 year old classes I have seen…).

My 11-14 year old group made natural sculptures of a village they created together, wheel pottery, soapstone carvings, figure drawings, portraits, and horse-hair decorated pottery: all exploring mapmaking ideas/concepts/aesthetics, mapping the self, and creating place concepts.

(At the end, I have also included a couple photos of  my internship classes' collaborative pieces!)


Class's sketches for their natural village: made of natural found items and corks and hot glue...


It had a church...
...and a public garden area...

...and a grocery store...

...and a restaurant...

...and a home...

...and another shelter!

This was a two-point perspective exercise I did alongside the students; then we worked with watercolor resist to add color (oil pastels that resisted watercolor placed overtop them)

One student's personal experiments in ink with portraits and doodles...

...and another of his experiments with watercolor. What was so great about these was this student's focus while he did them; he has Asbergers, and so is usually somewhat restless in class. However, while he did these, he worked the entire morning without a stitch!

A student's one-point perspective drawing done in ink over the graphite

A volume and light study with pastels

A human proportions study that was abstracted in a somewhat Van-Gogh-esque style

A personal experiment with oil pastels (abstract)

Soapstone sculptures!


I made one, too! Not sure if it ended up being half of a flower or half of a sun... Maybe it's a sunflower!


Working on the horse-hair pottery; pieces fired in the kiln to a certain temperature so when you add horsehair to them, the hair immediately burns and leaves black marks behind. The result is a texture that looks like a map!


The art show! Drawings displayed on clothesline...
...finished village, bridges and all, on its own table...

...and each student's pottery and soapstone stations at the main work table

close up of hand-built "caves" (raku fired)

Paper buildings with watercolor lakes...

...and some added elements like Koi...

...or flowers!
My Thursday class's collaborative sculpture: with styrofoam cups!!

My Monday night's collaborative "foot painting;" yes, we used our feet to paint this landscape of mountains, rivers, earth, and sky...

Saturday, August 11, 2012

Second Seminar at IS183: Dina’s “Stop Motion Workshop”


Stop motion is so much fun! After working with Dina and her 2-week camp, I was so excited to do this workshop. I had a taste of how to move a character across a stage using stop motion (I had made a clay octopus), and I was ready to see what else stop motion has to offer!

I learned a lot about PATIENCE while I made my own stop motion. You have to plan out every move, because you have to make sure you take all of the necessary shots in between each larger movement. This gives you smoother flow. You don’t always want really smooth flow, because that’s some of the charm of stop-motion, but you still want its smoothness or choppiness to look intentional.

I realized that telling my students to be patient, and then actually being patient when I was the one creating stop motion, were two different worlds! I can better appreciate, now, all of the thought my students put into the great work they did.

(Dina may or may not be putting our stop motion work up on IS183’s VIMEO account. My work might be documented here soon: http://vimeo.com/is183.)

Friday, August 10, 2012

IS183 Week #5 Reflection

This week was very different for me, compared to my other weeks! Instead of helping a class every day, I was in the office in the mornings (covering for some staff that was out and learning about some of the other "hats" the administrative staff there wears), and traveling to BCD to carry out my Enchanted Garden Lesson Plan with the 5-7 year olds. It was an exhausting week, but I learned a lot! (And, as I mentioned in my previous post, I got to use/contribute to the Contextual Learning Portal! I posted one of IS183's teacher's curriculum to this teaching resource website so that other teachers can adapt or be inspired by her content.)

A lot happened with my Enchanted Garden Lesson Plan. I won't re-post that entire lesson here, but it is in my blog archive. Instead, I will post the dramatic changes that happened. For starters, instead of a 2-3 hour chunk with the kids, I had about 1-2 hours every day this week with them (at the end of the day). So, total, I was teaching them for about 5 hours this week! My lesson plan took on a new shape, as you will see, and I will also include the feedback I gleaned and received:



Adjusted Enchanted Garden “Lesson” Schedule: (5th week at IS183)

*Spread out lesson plan/time with 5-7 yr olds at BCD over a whole week, instead of just a 2-3 hr chunk:

Monday (8/6): 2:30-3:30    OBSERVE LUCIE WITH CLASS, MAKING “STAINED GLASS” FLOWERS

Tuesday (8/7): 1:30-3:30   LUCIE FINISH FLOWERS WITH CLASS, THEN ENCHANTED GARDEN STEPS 1-4 (Tale I Told Sasha, discuss, Storyboard own “garden stories”)

Wednesday (8/8): 2:30-3:30   ENCHANTED GARDEN STEPS 5-6 (CHANGED TO: READ EMPTY POT- ADD TO ANNOTATED LIST- , DISCUSS, READ “SAD LITTLE CLOUD STORY” I WROTE, ACT OUT ANIMAL CAST IN CLOUD STORY, DO “ALICE IN WONDERLAND” MEDITATION I WROTE UP TO COOL DOWN, SHARE MEDITATION STORIES BEFORE END OF DAY CHECK-IN (REMINDER WE WILL BE MAKING A PLAY TOMORROW AFTERNOON!)

Thursday (8/9): 2:30-3:30     ENCHANTED GARDEN STEPS 7-8 (CHANGED TO: A GROUP PERFORMANCE-WHOLE CLASS- OF MY “SAD LITTLE CLOUD” STORY. ME (PLUS OTHER TEACHERS?) AS NARRATOR(S), KIDS “CAST” INTO PARTS AND ACTING OUT WHILE I READ…  Play outside/sprinkler)

Friday (8/10): 2:30-3:30   PREPARE FOR ART SHOW (THAT’S AT 3:00)


Extra Activities I Utilized During This Week (as breaks and transitions in the lesson):

Meditation- I wrote up my own “Alice In Wonderland” kind of meditation exercise for a “quiet” moment with the kids that was also garden related

Storybooks- I read them The Empty Pot and The Tale I Told Sasha, both books related to garden and imagination in imaginary worlds (nice transition and focus-grabbing activities, as well as more “quiet” moments)

Game Adaptations- “Flower and Tree Tag” (vs. Freeze Tag)- when you are tagged, you stand still and wave your branches like a tree until someone frees you; “Gardener” (vs. Sandman)- all players sit in a circle, and a detective and (secret) “gardener” are picked. The gardener has to wink at players in the circle, turning them all into flowers (who stand up, “sprouting”) before the detective can guess who the gardener is.

Free Draw and Classroom Storybooks- kids were free to do these things if they finished their work early and cleaned their workstation






My Reflections from 8/7-9 (3 days of teaching under Enchanted Garden/Lucie):

What went really well, as is:
·         This age group is fascinated with toilet language, and toilets! They included these activities and words in their storyboards today, and so I encouraged them to choose other words and activities for their stories (I reminded them that their work is going to be in an art show on Friday, for everyone to admire)!
·         It was so great to have helpers (like my supervisor and another T.A.) who could take students who needed “breaks” into another room for a story or a rest; especially because the kids didn’t know me well (unlike my supervisor) and were tired at the end of the day.
·         Reading an applicable children’s story to the class = one of my favorite things to do, now! I love how engaged they all become as they follow along and imagine what will happen, especially if I feel like my reading style is drawing them in!
·         I was proud of the “Garden Adaptations” I made to their favorite games; two of them were in-the-moment when the kids wanted “Freeze Tag” and “Sandman”


What I would improve:
·       -  I NEED TO BE UNAFRAID TO BE MORE STERN WITH THE KIDS. Classroom management is definitely an area that I need to grow into; I’m sure this will come with the more time I spend in a classroom, whether someone is observing me or not!

·       -  For the storyboarding exercise, if I did this lesson again, I would MAKE MY OWN TEMPLATE. The one I used was kind of small and had lines on it, so there was one student who grew upset when she thought she was supposed to write (and hadn’t learned how to yet). Next time, I will make my own storyboarding template that is larger (still 3 squares), and without lines (instead, with empty space around the boxes in case students do want to write, as some did).

·       -  Taking them outside for the really active movement activities is a better idea than the classroom. (Space, fresh air, etc.)


Supervisor’s (Lucie's) feedback:
·        - Overall, it went really well and it was great! My reading was great and effective, and I was very encouraging and adaptive to the classroom and student’s needs.

·      -   Agreement with the storyboarding template reflections… (Next time, make my own!)

·      -   Classroom management could be better: tricks = “all eyes and ears on me” to get attention, then WAIT and praise the students by name who are listening; break up physical clashes between students by separating them- “hold hands or shoulders” to keep them from contacting the other student (of course not with a rough hold, so as not to injure the students); explain lesson transitions to students while you still have their attention (ex. moving from reading circle to table: tell students what they will be doing at the tables while they are still sitting in the reading circle)

·        - It was a great idea to add movement and acting to the lesson; usually they just do visual art.


 I know I can just keep returning to this lesson plan and making more and more improvements... I can't wait to get the opportunity to employ it again! 

As for the class's art show, I will include some pictures here (I helped them to make the stained glass flowers, and the garden stories; the rest was done with them by another teacher):


Stained Glass Flowers in process (with my supervisor, Lucie)...
...Stained Glass Flowers finished, hanging at the art show!

Grass Heads project; like "Chia Pets!"

Magic Keys to gain access to the Enchanted Garden

Paper Sunflowers

Flower Pot Turtles and Critters

Palm Leaves with Rainbow Caterpillars


Outdoor Scenes with Watercolor and natural elements

Enchanted Garden Treasure Chests

Felted Rainbow Geodes

Easter Egg and Tin Foil Mushrooms on sticks

Everybody made a pair of Fairy Wings to wear at the Art Show in their Enchanted Garden!
And our little Fairies lead us around their  Enchanted Garden Art Show...

Enchanted Garden Stories

Cats who take shelter from rain under a rainbow

A little girl who goes to the garden every day to give a flower to her mother

“Once upon a time, there was a cat in a garden with a path. And the cat goes across the path. And it digs a hole for its ball of yarn. And it falls down into the hole and it falls down into a wonderful world in the sky, and it makes a friend in the garden in the sky.”
-M.

"The cat is digging a hole and lands on the roof of a house.  Then the cat falls on the floor. After that, she falls through the hole. She then slides on the ground and walks to a tree in the garden." -S.

“There was a girl. She never had fun. She is having fun.”
-E.

"This is a story about everything I made in this garden class."
-H.

“On the top of the plate was some spaghetti. On top of the spaghetti was a meatball. The meatball rolled off the table and onto the street. Then a hungry dog came and ate the meatball.”
-M.

“The Cat is in a house and falls into a lightbulb! And the cow is licking her lips. Yum! She just ate a plant.”
-V.




Contextual Learning Portal

Today, while I was helping in the office (this was my week at the front desk, helping to cover while some of the staff was out), I did some curriculum work in a way. I posted one of the teacher's curriculum to the Contextual Learning Portal, which is this awesome teaching community and resource online that shares lesson plans. If you are a teacher in the community, you can log on and share/post your own stuff, or you can always just go onto the site and browse the curriculum for ideas! But the "rule" for posting is that the curriculum has to be complete enough that any teacher could take the material and repeat your lesson elsewhere; in this way, your curriculum posting also has to follow somewhat of a certain "format."

So when I was transferring an IS183 teacher's curriculum to this site, I had to be sure to follow the right format while still sticking to the exact content the teacher created. It wasn't too hard (a lot of cutting and pasting, honestly!), but it was a great way to feel part of the teaching community! (And now I have another resource for lesson plan ideas!)

Sunday, August 5, 2012

Progress of my Final Portfolio, Presentation, and Research Study

Everything feels like it's pretty well on track! My final portfolio has been compiled and laid out, and I am keeping it updated as I go until the final presentation date comes. As far as the presentation itself goes, I will be working on that this coming Friday/weekend so I will have as much information as possible to work with. (Although, my portfolio is already pretty hefty, because of photograph pages and things... nearly 75 pages! Is anyone else finding this? Is that a problem?)

For the Research Project, I am making a "How To Be A Successful T.A. In A Community Arts Setting" booklet that IS183 can utilize along with my portfolio for upcoming interns. I'm hoping to have it mostly finished for the presentation, because other than an intro about my internship and it's location/setting/photographs about the camps I have helped, etc., I'm thinking that will be what I present. The booklet will (hopefully) be a nice way to see a "snapshot" of what I have learned from my internship, and it will be a nice way to pass all of that on to another upcoming intern in the field.

Reflection from 4th week at IS183

This was the second (and last) week of the Mad Hatter's camp; this week, the students finished up their stop motion, and made puppets and sets for a final, collaborative movie. They also made masks and finished up their pottery for the art show on Friday!

I was SO impressed at just how well all of their work came together; particularly the films! Each individual work was so detail-oriented and well developed, and so when they all came together for the collaborative film, it was FANTASTIC. So creative and cute, plus well-made...

I will post some photos here for you to see. As far as the videos go, I can't post the DVD copy I received, but you can view the Mad Hatter camp's videos on IS183's VIMEO account: http://vimeo.com/is183. (Not all of the videos may be up just yet, but if you check back, the film teacher said she will be updating the Mad Hatter's link on that page!)


I made a plaster mask, too! We molded them right to our faces...

...and then decorated them! All in the theme of a "Mad Hatter's Tea Party..." (I ended up giving my mask to a student who wasn't at camp the day we made them.)

Final sets finishing up, and figuring out how to shoot our collaborative movie!

And some more Lego stop motion... and even MORE Lego stop motion!

Making the Rabbi for our collaborative wedding stop motion video...

And making the bride and groom's chambers, where they will get ready before the wedding!

Mrs. Fox's Kitchen in progress



And Mr. Wolfe's apartment in progress

(A drawing I did during free drawing time/cleanup at the end of the day!)

Check out our awesome spread for the wedding film! They are all tiny erasers that are shaped like food... perfect size for our puppets! Thanks, Student C., for collecting all of these and trusting us with them!

The two Fancy Ladies' shooting: The Fight Over The Mirror...


Mr. Wolfe's apartment, completed and ready for shooting!


Our pottery has had its final firing!

The glazes are beautiful...


And, finally, it's time to shoot the wedding scene!

And we displayed our final sets during our ART SHOW: from Wedding Set...

...to Mrs. Fox's Kitchen...

...to the Fancy Ladies' Mirror...

...to the Bride and Groom's Chambers!

And we also displayed all of our pottery (dinner party settings), masks, and parts of our stop motion sets from the week before...


We set up a mini "theater space" in the ceramics studio as well, so we could show our films at the ART SHOW!

IS183 Art School Presents... Mad Hatter's camp's stop motion films!!